So re-reading Edelson and Tononi’s book, A Universe of Consciousness: How Matter Becomes Imagination, I began thinking about the connectome. In previous posts (5/31/15, 6/29/15, 9/23/15) I have talked about how the connectome is the dynamic set of connections and neural activity that is ongoing, shaped by experience, flexible enough for cogitating new circumstances yet set deeply enough to maintain personality, cognitive skills, and autobiographical memory over a lifetime and even beyond when you consider the young lady (see post 1/10/15) who was chilled to death for some hours and then revived well enough with therapeutic help to recover her self more or less completely over time. She put the ‘om’ in connectome.
Now as best I can understand, Edelson and Tononi’s model for conscious functioning is that some large and specific portion of the connectome organizes into a dynamic core of activity where neural systems in the cortex and their perceptual motor systems switchboarded in the thalamus sustain patternings that then shapes them as needed. Here is where their concept of re-entrance comes in because it is through feeding forward (and backward and sideways) to enhance and diminish certain facets so that the dynamic core is sustained, i.e., by ‘re-entering’ processed results into the same systems to support both invariant information structures and then editing needed variants. The scope and specificity of their conceptualization of a general process capable of operating on many levels is mind-boggling and the reason why I am reading it again slowly.
Two things re-enter my mind here. The first is the PLOS article by Eve Marder (see post 5/31/15 & 6/3/15 & 6/29/15) wherein she discusses her rigorous work developing a technique for stimulating, i.e., delivering an electrical pulse, a small number of neurons, even just one, and then studying the resultant spread of excitation. Looking at the image of the connectome, imagine kicking one node and figuring out what changes, i.e., discerning the variance in the patterns. In her article she says something to the effect that the ongoing connectome activity is so powerful that one change is quickly drowned in a sea of complexity and the connectome’s momentum, like a single drop into choppy waters. Change large enough for the dynamic core to be a re-frame comes about through specific events, e.g., startled by the lion’s roar, or through the intelligent re-entrance as the brain clarifies, apprehends, understands, considers and acts.
What I find especially important here is the autonomy and flexible independence of the connectome because this smacks of the animal’s own determinate life impulse. Living forms are the compositors of their own experience, and we humans are distinctly talented primates in this regard. We not only compose and re-compose our experience as we live but we also compose what is beyond our experience. I do not think we could do this without a well-organized self agency and a virtual mental context generated through symbolization. Further I do not think doing this would matter at all if not connected empathically with other minds.
Here I come back to what has kept my interest for a long time, Susanne Langer’s characterization of mental action as either impactive, i.e., incipience felt from without, or autogenic, i.e., incipience felt arising from within. For example, I startle with the impact of the lion’s roar; my emotional energy rises autogenically to energize and direct my actions. Consider the connectomes and which information or processes were re-entered, i.e., kept in mind, prevalent in a hunter-gather society, in a pre-literate one, in farmers, with the advent of writing, in shaman organizing metaphysical activity, in scientists dedicated to understanding our world and ourselves, and here’s the most interesting one to me, in artists composing their works as an expression of their felt experience, some invariant form communicable to others composed from the variant images, thoughts and feelings of their lives.
Each person’s connectome must absorb much impactive energies to maintain reality orientation and adaptive success, and every person’s connectome is an expression of the autogenic energies from within; indeed, the genome of a fertilized egg is the chemical spark igniting each life that then burns for awhile before exhausting its run. Understanding this life energy as the basis of artistic endeavors is the task I took from reading Langer long ago and again recently as I re-read Edelson and Tononi. Travel on.